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The Market Logics of Contemporary Fiction (Cambridge Studies in Twenty-First-Century Literature and Culture) de Paul Crosthwaite
Descripción - Críticas 'Paul Crosthwaite engages deeply and thoughtfully with the fields of economics and economic history to produce a study that is genuinely interdisciplinary in scope. The book reconfigures economic concepts as formal strategies to great effect, generating highly original pairings and readings that are both insightful and persuasive. The book is superbly polished in its execution and a pleasure to read.' Janice Ho, University of Colorado'The Market Logics of Contemporary Fiction offers an original and stimulating account of the intersections among imaginative writing, literary publishing, and high finance in the post-1970 period. Dealing with an array of prominent British and American novelists, and contributing substantially to debates in the new economic criticism, Paul Crosthwaite's book represents a major scholarly achievement. It should be read by anyone interested in the economic contexts and content of postmodern writing and should play a substantial role in reshaping the teaching of contemporary literature to new generations of students. I will recommend this book to my own students as a must-read account of the last few decades in fiction.' Adam Kelly, University of York Reseña del editor In the twenty-first century, leading publishers are under intense pressure from their conglomerate owners and shareholders to generate growth and profits. This book shows how these pressures have transformed the contemporary novel. Paul Crosthwaite argues that recent British and American authors have internalized the market logics of the financial sector and book trade, resulting in the production of works of 'market metafiction' in which authors reflect obsessively on their writing's positioning in the literary marketplace. The Market Logics of Contemporary Fiction reveals the entanglement of fictional narrative and market dynamics to be the central phenomenon of contemporary literary culture. It engages with work by key authors including Iain Sinclair, Don DeLillo, Kathy Acker, Bret Easton Ellis, Chris Kraus, Percival Everett, David Foster Wallace, Colson Whitehead, Anne Billson, Hari Kunzru, Barbara Browning, Teju Cole, Ben Lerner, Tao Lin, Nell Zink, Joshua Cohen, Sheila Heti, and Garth Risk Hallberg. Descripción del libro This book shows how interrelated shifts in the global financial system and the global publishing industry have transformed the production of contemporary fiction in Britain and the USA. It will appeal to graduate students and researchers working in twenty-first-century literary studies, especially scholars of contemporary British and American fiction. Biografía del autor Paul Crosthwaite is a Senior Lecturer in the Department of English Literature at the University of Edinburgh.
Detalles del Libro
- Name: The Market Logics of Contemporary Fiction (Cambridge Studies in Twenty-First-Century Literature and Culture)
- Autor: Paul Crosthwaite
- Categoria: Libros,Literatura y ficción,Historia, teoría literaria y crítica
- Tamaño del archivo: 10 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
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Cambridge Studies in Twenty-First-Century Literature and ~ About Cambridge Studies in Twenty-First-Century Literature and Culture Visit As the cultural environment of the twenty-first century comes into clearer focus, Cambridge Studies in Twenty-First Century Literature and Culture presents a series of monographs that undertakes the most penetrating and rigorous analysis of contemporary culture and thought.
The Market Logics of Contemporary Fiction - Cambridge Core ~ 'The Market Logics of Contemporary Fiction offers an original and stimulating account of the intersections among imaginative writing, literary publishing, and high finance in the post-1970 period. Dealing with an array of prominent British and American novelists, and contributing substantially to debates in the new economic criticism, Paul Crosthwaite's book represents a major scholarly .
The Market Logics of Contemporary Fiction - Edinburgh ~ This book shows how these pressures have transformed the contemporary novel. Paul Crosthwaite argues that recent British and American authors have internalized the market logics of the financial sector and book trade, resulting in the production of works of 'market metafiction' in which authors reflect obsessively on their writing's positioning in the literary marketplace.
The market logics of contemporary fiction (Book, 2019 ~ Get this from a library! The market logics of contemporary fiction. [Paul Crosthwaite] -- In the twenty-first century, leading publishers are under intense pressure from their conglomerate owners and shareholders to generate growth and profits. This book shows how these pressures have .
New book: ‘Market Logics of Contemporary Fiction ~ The Market Logics of Contemporary Fiction. Paul Crosthwaite, Cambridge University Press 2019. In the twenty-first century, leading publishers are under intense pressure from their conglomerate owners and shareholders to generate growth and profits.
List of issues Critique: Studies in Contemporary Fiction ~ Accept. We use cookies to improve your website experience. To learn about our use of cookies and how you can manage your cookie settings, please see our Cookie Policy. By closing this message, you are consenting to our use of cookies.
TWENTY FIRST CENTURY FICTION - Cambridge University Press ~ Time in the Twenty-First Century’ in Contemporary Literature, and part of Chapter 3 appeared in C21 Literature, as ‘B etween Human and Animal: Realism and Species Indeterminacy in J. M. Coetzee’s Late Fiction’. I am also grateful to Patricia Piccinini for granting permission to reproduce an
Paul Crosthwaite / The University of Edinburgh ~ Over the past decade, his work has focused on the multiple modern and contemporary intersections between literature, culture, and economics. His book The Market Logics of Contemporary Fiction (in Cambridge University Press's Studies in Twenty-First-Century Literature and Culture series) shows how contemporary British and American authors have internalized the market logics of the financial .
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Critique: Studies in Contemporary Fiction: Vol 61, No 3 ~ All journal articles featured in Critique: Studies in Contemporary Fiction vol 61 issue 3
Catálogo de libros de inglés / Cambridge University Press ~ Conoce el amplio catálogo de libros de inglés que disponemos. Libros para niños, colegios de primaria, bachillerato, preparación de exámenes Cambridge ESOL
Jens Walther’s Abstieg vom Zauberberg (1997): A Literary ~ Paul Crosthwaite, The Market Logics of Contemporary Fiction.Cambridge Studies in Twenty-First-Century Literature and Culture(Cambridge: Cambridge University Press, 2019); there are specialized studies on the book markets in many countries of this world, see, for instance, Jorge J. Locane, De la literatura latinoamericana a la literatura (latinoamericana) mundial: condiciones materiales .
Contemporary British Fiction (Online) / Oxford University ~ Relevant critical debates about contemporary fiction. Common themes and techniques in contemporary British fiction. The difference between appreciation/opinion and critical analysis. The assigned novels and extracts of earlier fiction. How contemporary fiction compares to earlier literature. And you will have developed the following skills:
Editorial de libros de inglés oficiales Cambridge ~ Cambridge University Press es la editorial de libros en inglés oficial de Cambridge University. Libros de ejercicios, preparación de exámenes Cambridge: First
CONTEMPORARY GERMAN FICTION - assets.cambridge ~ cambridge studies in german General editors H. B. Nisbet, University of Cambridge Martin Swales, University of London Advisory editor Theodore J. Ziolkowski, Princeton University Also in the series j. p. stern: The Dear Purchase: A Theme in German Modernism sean allan´ : The Plays of Heinrich von Kleist: Ideals and Illusions w. e. yates: Theatre in Vienna: A Critical History, 1776–1995
MFS: Modern Fiction Studies / JHU Press ~ MFS publishes theoretically engaged and historically informed articles on modernist and contemporary fiction. The journal's substantial book review section keeps readers informed about current scholarship in the field. MFS alternates general issues with special issues focused on individual novelists or topics that challenge and expand the concept of "modern fiction."
Routledge Studies in Contemporary Literature ~ Collage in Twenty-First-Century Literature in English: Art of Crisis 1st Edition. Wojciech Drag November 14, 2019. Collage in Twenty-First-Century Literature in English: Art of Crisis considers the phenomenon of the continued relevance of collage, a form established over a hundred years ago, to contemporary literature.
Contemporary Fiction Definition - Complete List of Book Genres ~ Contemporary Fiction Definition – Examples. Review this list of popular examples to help you get a better understanding of the contemporary fiction genre. 1. And Then There Were None by Agatha Christie. 2. Angels & Demons by Dan Brown. 3. Beautiful Disaster by Jamie McGuire. 4. Flat-Out Love by Jessica Park. 5. In Cold Blood by Truman Capote. 6.
English literature - The 21st century / Britannica ~ English literature - English literature - The 21st century: As the 21st century got under way, history remained the outstanding concern of English literature. Although contemporary issues such as global warming and international conflicts (especially the Second Persian Gulf War and its aftermath) received attention, writers were still more disposed to look back.
What is Contemporary Literature? - Definition & Writing ~ Contemporary Writing Style. While time period is a factor, the style of writing also denotes its place in the contemporary literature category. Typically, this style of writing feels more real by .
Literature / Cambridge Core ~ The literature list publishes around 120 titles a year, with titles on topics spanning the whole range of literary activity in the UK, North America, Europe, Asia and Australia, and from Anglo-Saxon times to the present day.
: The Cambridge Introduction to Contemporary ~ Stacey Olster is Professor of English at Stony Brook University, a former Fulbright Fellow Scholar, and an award-winning teacher. She is the author of Reminiscence and Re-Creation in Contemporary American Fiction (Cambridge, 1989) and The Trash Phenomenon: Contemporary Literature, Popular Culture, and the Making of the American Century (2003), and the editor of The Cambridge Companion to John .
What Is Contemporary Fiction? (with pictures) ~ The term contemporary fiction describes stories set in modern times that don’t bring in any elements of fantasy. It is technically a kind of realistic fiction, and the term "contemporary" is used specifically to distinguish it from realistic fiction with a historical setting, which is also generally common and fairly popular.Contemporary fiction is normally focused on giving people a window .